Carl Kahler (Austrian, 1855–1906), My Wife’s Lovers, 1891, Oil on canvas. Collection of John and Heather Mozart. Image: Courtesy Sotheby's.
Carl Kahler (Austrian, 1855–1906), My Wife’s Lovers, 1891, Oil on canvas. Collection of John and Heather Mozart. Image: Courtesy Sotheby's.

Carl Kahler: My Wife’s Lovers

FEB 2, 2016 - JUNE 8, 2016

The Portland Art Museum is thrilled to announce that the greatest cat painting ever made is now on view. Carl Kahler’s My Wife’s Lovers is a massive painting commissioned by San Francisco philanthropist Kate Birdsall Johnson in 1891. The 6-by-8.5-foot canvas, which features 42 of the millionaire’s beloved cats, was seen at the 1893 Chicago World’s Fair, survived the 1906 San Francisco earthquake, and now makes a stop in one of the cat-friendliest cities in the country.
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My Wife’s Lovers was commissioned by San Francisco millionaire Kate Birdsall Johnson (1833–1894) to commemorate her fabulous collection of 42 Persian and Angora cats. She met the artist and world traveler Carl Kahler in 1890, shortly after he arrived in California from Australia, where he had earned fame painting portraits and horse racing scenes. Johnson persuaded him to portray her beloved pets and he spent months studying them in preparatory sketches and paintings. In the finished composition, he depicted the cats larger than life size.“Carl Kahler’s cat painting is a truly monumental homage to the species,” says Dawson Carr, Ph.D., The Janet and Richard Geary Curator of European Art.At the painting’s center is the pride of the collection, a magnificent Persian named Sultan, who was purchased in Paris for a huge sum. Around him, outstanding individuals and family groups are depicted from virtually every angle and with a wide range of personality traits. Kahler enlivened the scene with anecdotal details, such as the cats stalking a moth and, of course, much playful feline interaction.

The painting was not titled My Wife’s Lovers by Johnson’s husband, the iron and hardware heir Robert C. Johnson, who had died two years before, in 1889. According to Carr, it seems likely that he coined the expression to refer to the cats and that his widow adopted it for the title.

“The painting has inspired a number of absurd legends,” says Carr. “It has been erroneously reported that Johnson had as many as 350 cats and that she left them $500,000 in her will. In fact, there were never many more animals than those depicted here. Johnson left a modest amount to a relative for their maintenance. Her principal bequest established a hospital for disadvantaged women and children in San Francisco.”

The artist perished in the earthquake of 1906. His painting survived that disaster, and in 1949, Cat Magazine lauded it as “the world’s greatest painting of cats.” The painting most recently sold at a Sotheby’s auction in November 2015. It is on loan to the Portland Art Museum by its new owners, John and Heather Mozart of Northern California.

Art and cat lovers have awaited the painting eagerly, with social media hashtags such as #meowsterpiece and #purrtlandartmuseum.

The Museum is partnering with the Oregon Humane Society on a series of pop-up events in support of the painting, and to raise awareness about cat adoptions at OHS and other area shelters. In addition, visitors to the Museum can pose with a cutout version of the painting in a photo booth during the Museum’s weekly $5 Fridays (5-8 p.m.).