Portland Visitors Information Center, 1948
Portland Visitors Information Center, 1948, Roger Sturtevant Collection, Oakland Museum of California
Aubrey Watzek House, Portland, Oregon, 1937
Aubrey Watzek House, Portland, Oregon, 1937
Photograph of The Shire
© Chris Hornbecker Photographer
Jingdezhen kilns, Jiangxi Province, China, Baluster Vase with Peony Scroll Design, 15th/early 16th century
Jingdezhen kilns, Jiangxi Province, China, Baluster Vase with Peony Scroll Design, 15th/early 16th century, porcelain with underglaze blue painting and overglaze yellow enamel, 10 1/2 x 7 1/2 inches, Collection of Richard Louis Brown

Quest for Beauty: The Architecture, Landscapes, and Collections of John Yeon

MAY 13 – SEP 3, 2017

The Portland Art Museum is pleased to announce Quest for Beauty: The Architecture, Landscapes, and Collections of John Yeon, a retrospective look at an Oregon original.Few architects have influenced so many facets of a region as John Yeon (1910-1994). Yeon is most widely remembered as an architect, in particular for a series of innovative houses—most prominently, the 1937 Aubrey Watzek House—that drew an international spotlight to regional modernism in the Pacific Northwest.

Yet Yeon had equal vision and influence as a planner, conservationist, historic preservationist, urban activist, and, perhaps most of all, connoisseur of elegance and craft.  Largely self taught, and working independently, Yeon designed distinctive buildings, shaped precedent-stretching gardens, and fought to preserve some of the Northwest’s most treasured vistas—the Columbia River Gorge, the Oregon Coast, Olympic National Park.

In addition, he amassed a highly personal collection of Asian and European decorative arts.

Developed with the University of Oregon’s John Yeon Center for Architecture and the Landscape, Quest for Beauty’s architecture and landscape section surveys two dozen projects and buildings designed between 1927 and the mid-‘50s, including a dynamic 1934 scheme for Timberline Lodge; Yeon’s inventive plywood houses of the late ‘30s; and the 1950 Shaw House, which elegantly anticipates the stylistic eclecticism of Postmodernism. The exhibition features original models and drawings, along with images by a trio of the midcentury’s greatest architectural photographers: Ezra Stoller, Maynard Parker, and Roger Sturtevant. Newly developed models and axonometric drawings will invite a greater understanding of Yeon’s careful siting of buildings and his cutting edge construction and sustainable design techniques. A high-definition time-lapse video records the changing seasons at The Shire, the stunning 78- acre preserve in the Columbia Gorge that Yeon saved from development and shaped into a unique landscape.

The exhibition features a wide selection of art, decorative arts and historic materials lent by Richard Louis Brown, who founded the Yeon Center in 1995 with his gift of the Watzek House to the University of Oregon. Yeon’s interests as a collector encompassed a range of materials from distant times and places, with concentrations of Chinese furniture and ceramics, Korean ceramics, Japanese screen paintings, Japanese lacquers and ceramics, and Indian miniature paintings, as well as European decorative arts of the 18th century. He had a keen sense of quality and an eye for detail, and he moved effortlessly across scale and scope, finding delight equally in small objects and vast vistas.

Together the buildings, landscapes, art, furniture, and objects showcase a restless eye and mind that could absorb the lessons of centuries of Asian and European art while developing an original vision for the Pacific Northwest.

Quest for Beauty is accompanied by two books published by the Yeon Center with Monfried Editions, John Yeon: Architecture and John Yeon: Landscape. The Museum is presenting a variety of public programs and tours in conjunction with the exhibition, including an opening lecture by distinguished curator and architecture scholar Barry Bergdoll.

Organized by Portland Art Museum and curated by Randy Gragg, executive director of the University of Oregon’s John Yeon Center for Architecture and the Landscape. Collection exhibition curated by Maribeth Graybill, Ph.D., The Arlene and Harold Schnitzer Curator of Asian Art, and Dawson W. Carr, Ph.D., The Janet and Richard Geary Curator of European Art.

Presenting Sponsor

Exhibition Series Sponsors

Major Sponsors

Oregon Heritage Commission
Freres Lumber Co. Inc.
MTek Kiosk, Inc.
PLANAR
Rejuvenation
Superfab

Sponsors

Blakemore Foundation
Ed Cauduro Fund of The Oregon Community Foundation
Hoffman Construction Company in memory of Eric Hoffman, Sr.
Lever Architecture
Dan Wieden and Priscilla Bernard Wieden

Supporters

Afternoon Inc.
Asian Art Council of the Portland Art Museum
Chris Hornbecker Photography
Katherine and Mark Frandsen
Salena Johnson
NC3D
NORTH
Opsis Architecture
Nate Overmeyer and Sarah Dougher
REX HILL
TigerStop
University of Oregon John Yeon Center for Architecture and the Landscape
University of Oregon School of Architecture and Allied Arts
Jo Whitsell
Peter and Susan Belluschi in memory of Jeffrey Belluschi
European and American Art Council of the Portland Art Museum
Robert Trotman and William Hetzelson
Susan and Jim Winkler
The Acorn Fund of The Oregon Community Foundation
Margueritte H. Drake