In Dialogue: Satire in the Work of Robert Colescott

April 10, 2020 @ 6:00 pm – 8:00 pm

In Dialogue is an occasional series of interdisciplinary, discussion-based sessions that explore art on view at the Museum in relation to works in the humanities, social sciences, and sciences. In Spring 2020, we will take inspiration from ​Art and Race Matters: The Career of Robert Colescott ​to consider timely and key exhibition themes that explore the dynamics between race and gender, as well as the function of satire within the work.

In an evening of improvisational performance and discussion with Broke Gravy, this In Dialogue considers the function of satire both within Colescott’s work and within daily life. Broke Gravy uses improv comedy and storytelling to discover truth between the blurry lines of the daily grind.

As three black men living in America, they utilize their unique voices to spark thoughtful conversations on and off comedy stages. Through an open and honest dialogue, they exchange their experiences with those of their audience—exploring deeper perspectives on comedy, relationships, and humanity.

Also, they’re funny AF.

Learn more about Broke Gravy at

Space is limited. Registration required.

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The Portland Art Museum is pleased to offer accommodations to ensure that our programs are accessible and inclusive. All spaces for this program are accessible by wheelchair. Assistive listening devices are also available for lectures. All restrooms have accessible stalls but no power doors. There are single-stall all-gender bathrooms available. Please ask staff for directions.

We will do our best to accommodate your needs when you arrive, however, we need 2-3 weeks advance notice for some specific requests. Please email requests to, or call 503-226-2811.

Robert Colescott, Knowledge of the Past is the Key to the Future: Upside Down Jesus and the Politics of Survival, 1987.
Robert Colescott (American, 1925-2009), Knowledge of the Past is the Key to the Future: Upside Down Jesus and the Politics of Survival, 1987, acrylic on canvas, Museum purchase: Robert Hale Ellis Jr. Fund for the Blanche Eloise Day Ellis and Robert Hale Ellis Memorial Collection, © 1987 Robert Colescott.