Willem Volkersz, Silent City
Willem Volkersz, Silent City, 2002/14, Neon, wood, and acrylic and latex paint, 73 x 99 x 6 inches
Victoria Haven, Jump Cuts, 2014, Ink on Bristol vellum, vinyl text on wall, 67 x 222 inches
Lead Pencil Studio, Afforest, 2015, Charcoal, graphite, ink and paint on paper, 73 ½ x 96 ½ inches
Dana Lynn Louis, Clearing (installation view), 2014, Mixed media, Photo: Dana Lynn Louis
Helen O’Toole, Mary Larkin’s Bottom, 2013, 100 x 156 inches, Oil on canvas (diptych)
Akio Takamori, Yellow Mountain 2015, Stoneware with underglazes, 17 1/2 x 25 1/2 x 13 1/2 inches
Samantha Wall, Flayed, 2011, Conté crayon, charcoal, and graphite on paper, 84 x 72 inches

2016 Contemporary Northwest Art Awards

Feb 13, 2016 – May 8, 2016

The Museum’s fourth biennial awards exhibition, 2016 Contemporary Northwest Art Awards features eight outstanding artists including a two-person artist’s collaborative. Four of the eight artists are immigrants, coming to the Northwest from Asia and Europe and contributing to the exhibition’s conceptual strength with a fresh view of America. Works in the exhibition address global and regional humanist issues —prejudice, belonging, war, the evolution of power, omnipresent technology, and the environment. Ranging from large-scale installations to intimate ceramic portraits, the multimedia exhibition showcases works in combinations of neon, video, glass, drawing, painting, and clay with innovative approaches to both new and traditional media.At the opening reception one artist will receive the $10,000 Arlene Schnitzer prize selected by the Museum’s curatorial staff. From nomination to final prize, the biennial awards process delivers a two-fold benefit: It allows the Portland Art Museum to identify a number of the Northwest’s exceptional talents, and it provides the museum with a far deeper understanding of the new work taking place in the region by both established and emerging artists. The exhibition is accompanied by a catalog, artists’ lectures and other exhibit related programs.Bonnie Laing-Malcolmson, The Arlene and Harold Schnitzer Curator of Northwest Art, and invited curatorial advisor Jessica Hunter-Larsen, curator of IDEA Space, Interdisciplinary Experimental Arts, at Colorado College, received over 200 nominations from respected regional arts professionals of outstanding contemporary artists from Idaho, Montana, Oregon, Washington, and Wyoming. Nominees were selected on the basis of quality, innovation, relevance to community or global issues, continuity of vision and dedication to studio practice. Hunter-Larsen and Laing-Malcolmson reviewed the applications to select 24 four finalists, from which the group of seven award winners was chosen.

Organized by the Portland Art Museum and curated by Bonnie Laing-Malcolmson, The Arlene and Harold Schnitzer Curator of Northwest Art.


Victoria Haven, Seattle, Washington
Using drawing and video, Haven employs words and geometric spatial relationships to illustrate the fragmented bombardment of technology on the human psyche in the new millennium. With language and mixed media, she binds together two- and three-dimensional imagery to create elegant modernist objects that suggest unanswered questions.

Haven received a BFA degree from the University of Washington, Seattle and an MFA from Goldsmith College, University of London, United Kingdom. Her work has been exhibited at Seattle Art Museum; Drawing Room, London; Planthouse, New York; Frye Art Museum, Seattle; and Portland Institute for Contemporary Art, Oregon, among other venues. She has been included in numerous group exhibitions nationally and internationally. Haven has won many awards and her work is included in numerous public and private collections.

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Lead Pencil Studio, Seattle, Washington
Annie Han and Daniel Mihalyo use video, sculpture, drawing, installation and photography to reveal spatial qualities of the built environment that influence human behavior. This combination of styles expands the understanding of the constructed surface, which scripts a large portion of human movement and perception.

Lead Pencil Studio is a collaborative between Seattle architects Annie Han and Daniel Mihalyo,both graduates of the University of Oregon College of Architecture and Allied Arts. Lead Pencil Studio has been included in exhibitions nationally and internationally and has received awards, grants, and residencies including: Year in Review, Americans for the Arts, Washington D.C.; John Michael Kohler Arts Center Residency; New York Prize Fellowship, Van Alen Institute; MacDowell Colony Artists Residency, New Hampshire; Rome Prize, American Academy, Italy; and a Creative Capital Foundation Visual Arts grant, New York.

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Dana Lynn Louis, Portland, Oregon
Louis is inspired by the human body and its connection to timeless and fascinating systems of the natural and constructed worlds—linking time, space, and energy through dynamic multimedia installations. Creating spaces with intimate and large-scale drawings, light projections, and sculptural objects, she uses glass, light, and shadow to achieve a glitteringly magical environment.

Louis earned a BS in Studio Art and Education, University of Wisconsin, Madison and an MFA from Ohio State University, Columbus. Her solo exhibitions include: Hoffman Gallery, Lewis and Clark College, Portland, Oregon; Kuhl Gallery, Oakland, California; Gallery 111, Sausalito; The Art Gym at Marylhurst University, Oregon; and Hopkins Hall Gallery, Ohio State University, Columbus. Louis has executed commissioned projects including: Oregon State Hospital, Junction; TriMet Light Rail, Portland; Ann Sacks, New York; Northgate Library, Seattle; Mary Bridge Children’s Hospital, Tacoma and Oregon Convention Center, Portland.

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Helen O’Toole, Seattle, Washington
O’Toole creates a prolonged moment where the painting’s vast space evokes an image with a resonating emotional depth. Metaphorically employing the moody landscape of rural Ireland, she channels a deep-seated pain and misery resulting from a past lived amidst a compilation of grudges, suspicion, and violence.

O’Toole lives is a professor at the University of Washington. She earned a BA from National College of Art and Design, Dublin, Ireland and an MFA from the School of the Art Institute of Chicago. She has exhibited at The Hamilton Gallery, Sligo, Ireland; Linehall Art Center, Castlebar, Ireland; The Cultural Center, Chicago; Hudson D. Walker Gallery, Fine Arts Work Center, Provincetown, Massachusetts; and the San Francisco Museum of Modern Art. Awards and honors received include: a Pollock-Krasner Foundation Fellowship; a Jack and Grace Pruzan Endowed Faculty Fellowship (2013-2015), University of Washington; and The Bemis Foundation Residency, Omaha.

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Akio Takamori, Seattle, Washington
Takamori’s new, 40-foot-long, lyrically painted clay installation addresses the war torn world through the faces of its threatened children. In our contemporary society of a great mix of people, these diverse faces remind us that life begins unblemished by clashing ideologies. Additionally, a series of serene ceramic landscapes quoted from historic Japanese and European paintings provide a hopeful and contemplative view of the natural environment.

Takamori received a BFA from the Kansas City Art Institute and an MFA from New York State College of Ceramics, Alfred University. His exhibitions include: The Ariana Museum, Switzerland; Galerie Collection, Paris, France; Sint-Lucas Beeldende Kunst, Gent, Belgium; International Ceramic Studio, Kecskemet, Hungary; and Barry Friedman LTD, New York. His work is represented in collections including: Ariana Museum, Geneva, Switzerland; Carnegie Museum of Art, Pittsburgh; The Mint Museum of Craft and Design, North Carolina; Los Angeles County Art Museum, California; Victoria and Albert Museum, London; Museum of Contemporary Ceramic Art, Shigaraki, Japan; Museum of Art and Design, New York; Seattle Art Museum; and Renwick Gallery, Smithsonian American Art Museum, Washington, D.C.

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Willem Volkersz, Bozeman, Montana
Volkersz has an immigrant’s fascination with America. Arriving in Seattle from Amsterdam shortly after World War II, he began photographing a newly discovered landscape of billboards, vernacular architecture, and neon signs. Over time, he became fascinated with roadside art and pop culture: larger-than-life advertising figures, postcards, and travel souvenirs. Volkersz creates a charmingly critical narrative around his Dutch heritage and American citizenship.

Volkersz was awarded a BA from the University of Washington, Seattle and an MFA from Mills College, Oakland, California. He has had 45 solo exhibitions and has received numerous grants and fellowships, including The Adolph and Esther Gottlieb Foundation, Individual Artist Grant, New York; George Sugarman Foundation Grant, Novato, California; Individual Artists Fellowship, Helena, Montana; and a Fulbright Senior Scholar Award, Washington, D.C. His work is found in collections including: Seattle Art Museum; University of the Arts, Osaka, Japan; Kansas City Art Institute; Northwest Museum of Arts And Culture, La Conner, Washington; Nanjing College of the Arts, China; Museum of Neon Art, California.

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Samantha Wall, Portland, Oregon
Wall seeks to communicate the interior emotional state that separates one’s sense of self from their body. Growing up as an ethnically diverse child in South Korea and the American South, she learned to navigate between social and cultural boundaries. Her quietly powerful work utilizes modest materials, such as graphite or charcoal, to build a supple, interlaced texture of marks which are suspended on the surface of paper.

Wall received her BFA from University of Southern Carolina, Columbia, and an MFA from Pacific Northwest College of Art, Portland. She has had solo exhibitions at Fairbanks Gallery, Oregon State University, Corvallis; The Art Gym, Marylhurst University, Oregon; Worksound, Portland, Oregon; McMaster Gallery, University of South Carolina, Columbia; and Olive Hyde Art Center, Fremont, California. She has received grants, awards and residencies including an Individual Artist Fellowship from Oregon Arts Commission; Joan Mitchell Center Residency, New Orleans; and a Hallie Ford Fellowship in the Visual Arts, Roseburg, Oregon.

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Oct
17
Thu
Public Tour: Highlights
Oct 17 @ 1:00 pm – 2:00 pm

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

Evening for Educators: Hank Willis Thomas: All Things Being Equal…
Oct 17 @ 5:30 pm – 7:30 pm
Evening for Educators: Hank Willis Thomas: All Things Being Equal… @ Miller Gallery, Mark Building

Throughout his career, Hank Willis Thomas has addressed the visual systems that perpetuate inequality and bias in bold, skillfully crafted works. Through photographs, sculpture, video, and collaborative public art projects, he invites us to consider the role of popular culture in instituting discrimination and how art can raise critical awareness in the ongoing struggle for social justice and civil rights. Hank Willis Thomas: All Things Being Equal… features approximately 100 works including photographs, sculptures, video installations, interactive two-dimensional and time-based works, public art projects and a monumental flag-based work addressing lives lost to gun violence in the United States in 2018. Join PAM curators and educators to experience the exhibition and make connections to your teaching practice.

Reserve tickets
Meditation Tour
Oct 17 @ 5:30 pm – 6:30 pm
Meditation Tour

Enjoy a slow looking tour experience and object focused meditation. This public tour invites people to relax, rejuvenate, energize and be calm. Using focused breathing and simple poses the museum encourages visitors to meditate in the galleries twice a month on the first and third Thursdays.

Artist Talk: Sharyll Burroughs
Oct 17 @ 6:00 pm – 8:00 pm
Artist Talk: Sharyll Burroughs

Sharyll Burroughs is a multidisciplinary artist and dialogue facilitator who is interested in transcending conventional beliefs about what identity means. She utilizes Buddhism, along with the practice of self-inquiry, to explore identity beyond racial, cultural, and societal definitions, an unorthodox approach that cultivates dialogues embodying our common humanity. Her work has been featured in solo and group exhibitions in Los Angeles and in Portland, where she now resides.

Join artists from a range of disciplines in the galleries for lively conversations about works of art on view at the Museum and how they relate to their own practices. The talks are followed by complimentary social hour in the museum cafe.

Program begins at 6 p.m. $5 members, $20 non-members, $17 seniors. Space is limited. Tickets available online or on site.

Purchase tickets
Oct
18
Fri
Getting a Feel for Art: Tactile Art Pop-Up Gallery
Oct 18 @ 12:00 pm – 7:00 pm
Getting a Feel for Art: Tactile Art Pop-Up Gallery @ Miller Gallery, Mark Building

Experience the tactile art of local blind, partially sighted, and sighted artists. Art on display will include scenes and images made from reclaimed wood, wood turned objects, encaustic paintings, hand woven articles, sculptures made from a variety of materials, and many others. Visit between the hours of 12-7 and take your time to explore each piece of work.

Tours with visual descriptions, discussion, and when possible tactile exploration of items in the special exhibition, Hank Willis Thomas: All Things Being Equal… will be available throughout the day. Watch the Facebook event page and Museum website calendar event for registration links for these tours.

If you have any access needs please contact Becky Emmert, Head of Accessibility at Portland Art Museum. Please request interpreters or captioning three weeks prior to the event.

THIS IS A FREE EVENT

becky.emmert@pam.org

Telephone 503-276-4334

Videophone 503-420-3169

$5 After 5
Oct 18 @ 5:00 pm – 8:00 pm

$5 Museum admission after 5 p.m.

Every Friday evening, we invite you to play with us—to have a different Museum experience—a little bit more relaxed, more interactive, and more social experience. Admission is just $5 after 5 p.m.!

Here’s what we have in store:

Stay tuned to TwitterInstagram, and Facebook for the latest updates.

Learn more about Fridays at the Museum.

Purchase tickets
Public Tour: Slow Looking
Oct 18 @ 6:00 pm – 7:00 pm

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

Oct
19
Sat
Rental Sales Gallery Fall Show & Anniversary Celebration
Oct 19 @ 12:00 pm – 7:00 pm

Join us on Saturday, October 19, noon to 7 p.m., for our special Fall Show Launch and Diamond Celebration event, where we will showcase more than 200 new pieces of art by our talented member artists.

Visit the Rental Sales Gallery website.

Public Tour: Mindfulness in the Museum
Oct 19 @ 12:30 pm – 1:30 pm

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

Public Tour: All Things Being Equal…
Oct 19 @ 3:00 pm – 4:00 pm
Public Tour: All Things Being Equal...

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

Presented in conjunction with the special exhibition, Hank Willis Thomas: All Things Being Equal…

Oct
20
Sun
Family Tour: Drawing is Seeing
Oct 20 @ 12:30 pm – 1:30 pm

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

Asian Art in Portland: Past and Future
Oct 20 @ 2:00 pm – 3:30 pm
Asian Art in Portland: Past and Future

Maribeth Graybill, Ph.D., The Arlene and Harold Schnitzer Curator of Asian Art

Dr. Graybill looks back at 12 years of curating Asian Art at the Museum, reflecting on key moments. She will share her favorite acquisitions and memories of special programs, including artist talks and the festivities surrounding the repatriation to Korea of an important Buddhist painting. After revealing how behind-the-scenes activities have transformed the way the Museum cares for Asian art, she will consider some of the possibilities and challenges that lie ahead.

Purchase tickets
Public Tour: Highlights
Oct 20 @ 3:00 pm – 4:00 pm

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

Oct
24
Thu
Public Tour: Highlights
Oct 24 @ 1:00 pm – 2:00 pm

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

New Member Tour
Oct 24 @ 5:30 pm – 6:30 pm

New to the Museum and want to learn more? Explore the Museum galleries and learn from the guides who know it best! Join a Museum docent for a 45-minute tour experience with other members. These tours provide an introduction to the Museum and collections, along with fun stories and personal insights along the way.

Open to all membership levels. Advance tickets not required.

Oct
25
Fri
$5 After 5
Oct 25 @ 5:00 pm – 8:00 pm

$5 Museum admission after 5 p.m.

Every Friday evening, we invite you to play with us—to have a different Museum experience—a little bit more relaxed, more interactive, and more social experience. Admission is just $5 after 5 p.m.!

Here’s what we have in store:

Stay tuned to TwitterInstagram, and Facebook for the latest updates.

Learn more about Fridays at the Museum.

Purchase tickets
Public Tour: Slow Looking
Oct 25 @ 6:00 pm – 7:00 pm

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

Oct
26
Sat
Public Tour: Drawing is Seeing
Oct 26 @ 12:30 pm – 1:30 pm

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

Public Tour: All Things Being Equal…
Oct 26 @ 3:00 pm – 4:00 pm
Public Tour: All Things Being Equal...

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

Presented in conjunction with the special exhibition, Hank Willis Thomas: All Things Being Equal…

Oct
27
Sun
Family Tour: Where the Wild Things Are!
Oct 27 @ 12:30 pm – 1:30 pm

Explore the Museum with a docent skilled in bringing art to life.

Public tours depart from the Park Avenue entrance.

Tours are free for members or with Museum admission, and free for children age 17 and younger.

Supported in part by The Arlene and Harold Schnitzer Endowments for Northwest Art, The Ford Family Foundation, Rose E. Tucker Charitable Trust, Wolf Kahn and Emily Mason Foundation, Mark and Christi Goodman / The Goodman Family, Winderlea Vineyard & Winery, Greg Kucera and Larry Yocom, Jim and Susan Winkler, and Laura Russo Gallery**Gifts made in honor of Bonnie Laing-Malcolmson,
The Arlene and Harold Schnitzer Curator of Northwest Art

Victoria Haven

Lead Pencil Studio

Dana Lynn Louis

Helen O’Toole

Akio Takamori

Willem Volkersz

Samantha Wall