Pink Martini photo by Chris Hornbecker.

Paige Powell: The Ride
Still from The Ride, 2015, 3-channel color digital projection; 18:42 min., Image courtesy of the artist.

Kenny Scharf, Cosmic Cavern. Courtesy Honor Fraser Gallery. Photo Joshua White/JWPictures.com.
Kenny Scharf, Cosmic Cavern. Courtesy Honor Fraser Gallery. Photo Joshua
White/JWPictures.com.

Pink Martini performs at Paige Powell opening November 4

We’re thrilled to announce an opening reception on November 4 for Paige Powell: The Ride, featuring performances by special guest Pink Martini. Visitors will enjoy special preview access to Paige Powell’s multimedia installation and be immersed in the 1980s New York art scene of Andy Warhol, Jean-Michel Basquiat, and Kenny Scharf.

Party-goers will also preview a companion exhibition of Scharf’s installation Cosmic Cavern, which immerses viewers in a day-glo universe densely packed with graffiti tags, detritus, and everyday objects reimagined as cartoon personalities. Both Paige Powell: The Ride and Kenny Scharf: Cosmic Cavern will be on view to the public from November 5, 2015, through February 21, 2016.

Portland native Powell is a native a longtime friend of Pink Martini bandleader Thomas Lauderdale, whose “little orchestra” appears at the Museum fresh off its European tour. The beloved Portland ensemble will keep the opening party hopping with an evening of globe-trotting, genre-crossing music and dancing in the Kridel Grand Ballroom, transporting listeners to the middle of a samba parade in Rio de Janeiro, a French music hall in the 1930s, or a palazzo in Napoli.

6 – 9:30 p.m. Wednesday, November 4. Doors open at 5:30 p.m. Tickets to the opening reception on November 4 are $40 and available online in limited quantity until sold out. No-host bar and food. Sorry, we are unable to take phone orders for tickets. All purchases are final. No refunds or exchanges.

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Related Events:

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6
Thu
The First Step
Oct 6 @ 7:00 pm – 8:30 pm
The First Step @ Whitsell Auditorium

dir. Brandon Kramer, 2022
Not Rated – 1 hr. 30 mins.

OREGON PREMIERE

Features post-film panel discussion

In a divided America, progressive activist and political commentator Van Jones controversially works across party lines on landmark criminal justice reform and a more humane response to the addiction crisis. Attempting to be a bridge builder in a time of extreme polarization takes Van and a coalition of unlikely allies deep into the inner workings of a divisive administration, internal debates within both parties, and the lives of frontline activists fighting for their communities.

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ONLY $8 ($5 for Members, Students, and Seniors)

Oct
16
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Perspectives in Context
Oct 16 @ 2:00 pm – 3:30 pm
Perspectives in Context @ Whitsell Auditorium

We welcome you to the 2022 Arnold Newman Distinguished Lecturer in Photography program with Harvard Art Museums Curator of Photography, Makeda Best, presented in conjunction with the exhibition PerspectivesThis talk will explore how the photography of the movement for Black lives has encouraged new forms of photo-based documentation – rupturing conventional media communication, tropes of witnessing, traditions of photojournalism, and the notion of the public sphere. 

Makeda Best is a curator, writer and historian of photography. She currently serves as the Richard L. Menschel Curator of Photography at the Harvard Art Museums. Her exhibitions include: Time is Now – Photography and Social Change in James Baldwin’s America (2018), Crossing Lines, Constructing Home: Displacement and Belonging in Contemporary Art (2019) and Devour the Land: War and American Landscape Photography Since 1970 (2021). Along with Kevin Moore, she is co-curator of the 2022 FotoFocus Biennial exhibition, On the Line – Documents of Risk and Faith. In addition to publishing numerous catalog essays and journal articles, she published the book Elevate the Masses – Alexander Gardner, Photography and Democracy in Nineteenth Century America in 2020. She was also co-editor of Conflict, Identity and Protest in American Art (2016). Her current book projects explore the intersection between photography, gender, race, labor, and ecological issues. She holds an MFA in studio photography from the California Institute of the Arts and a PhD from Harvard University.

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Oct
25
Tue
Music and the Machine: An Evening with YACHT
Oct 25 @ 7:00 pm – 10:00 pm
Music and the Machine: An Evening with YACHT @ Whitsell Auditorium

$35 FOR THE ENTIRE EVENT
($30 for Members, Students, and Seniors)

PAM CUT and YACHT are teaming up for a night you won’t forget – YACHT will perform their GRAMMY-nominated album Chain Tripping LIVE after a screening of the documentary that breaks down how the Portland-born band teamed up with artificial intelligence to create it. The Computer Accent (directed by Sebastian Pardo and Riel Roch-Decter) documents the writing and recording of Chain Tripping, as well as the group’s storied history. The film also serves as a broader look at the role of artificial intelligence and its potential impact on the creative process, raising questions about the future of art and its intersection with technology.

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Oct
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Sat
The Portland Art Museum 2022 Annual Gala
Oct 29 @ 5:00 pm
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 The evening will celebrate the opening of two exhibitions;  Dakota Modern: The Art of Oscar Howe and Jeffrey Gibson: They Come from Fire. This mid-century-inspired Gala will also honor Howe and Gibson’s creative excellence and the indelible role artists play in fostering innovation, creating vital communities, and generating connections. 

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Or contact Harper Brokaw-Falbo, harper.brokaw-falbo@pam.org | 503-276-4297

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Team Howe: Panel Discussion
Oct 30 @ 2:00 pm
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Kathleen Ash-Milby is the Curator of Native American Art at the Portland Art Museum. Her responsibilities include the research, documentation, exhibition and care of both historic and contemporary collections. Previously Ash-Milby was an Associate Curator at the Smithsonian National Museum of the American Indian (NMAI) in New York, where she organized numerous exhibitions including Transformer: Native Art in Light and Sound, with David Garneau (2017), and Kay WalkingStick: An American Artist (2015) with David Penney. Ash-Milby is a recipient of two Secretary of the Smithsonian’s Excellence in Research Awards, and she was a fellow in the 2015 Center for Curatorial Leadership Program in New York and served on the boards of the Aboriginal Curatorial Collective (2007-2012) and the American Indian Community House (2005-2007), as well as president of the Native American Art Studies Association (2011-2015). Ash-Milby was the curator and co-director of the American Indian Community House Gallery in New York City from 2000 to 2005. A member of the Navajo Nation, she earned her master of arts from the University of New Mexico in Native American art history and her bachelor of arts from the University of Washington.

Bill Anthes is the author of the books Native Moderns: American Indian Painting, 1940–1960, and Edgar Heap of Birds, both published by Duke University Press, and the co-editor, with Kathleen Ash-Milby, of the catalog for the exhibition, Dakota Modern: The Art of Oscar Howe, published by the Smithsonian Institution National Museum of the American Indian. He has received fellowships and awards from the Georgia O’Keeffe Museum Research Center, the Center for the Arts in Society at Carnegie Mellon University, the Rockefeller Foundation/Smithsonian Center for Folklife and Cultural Heritage, and the Creative Capital/Warhol Foundation Arts Writers Grant Program. He teaches at Pitzer College in Claremont, California.

John P. Lukavic serves as the Andrew W. Mellon Curator of Native Arts at the Denver Art Museum where he specializes in Indigenous arts of North America. He is the organizing curator for such exhibitions as Each/Other: Marie Watt and Cannupa Hanska Luger (2021), Jeffrey Gibson: Like a Hammer (2018), and Super Indian: Fritz Scholder, 1967-1980 (2015), as well as lead curator for DAM’s recent reinstallation of their Indigenous Arts of North America galleries (2021). He serves as Vice President for the Native American Art Studies Association as well as a Board member for the Denver Indian Center, Inc.

Christina E. Burke is Curator of Native American Art at Philbrook Museum of Art in Tulsa, Oklahoma where she has helped acquire three major collections of Native art, and curated temporary exhibitions and long-term installations drawing from the museum’s extensive and diverse Native American object and archival collections and archival. She has also helped organize such traveling exhibitions as Hearts of Our People: Native Women Artists (2019-2021) and Dakota Modern: The Art of Oscar Howe (2022-2023). Christina is particularly interested in Native stories from Indigenous perspectives as told through art, language, and material culture. Her museum experience spans over 30 years working at the Smithsonian Institution and the Heritage Center at Red Cloud Indian School on the Pine Ridge Reservation in South Dakota as well as at Philbrook. 

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Nov
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Sun
Art and Krimes by Krimes
Nov 6 @ 2:00 pm – 3:30 pm
Art and Krimes by Krimes @ Whitsell Auditorium

dir. Alysa NahmiasNot Rated – 1 hr. 25 mins.

PORTLAND PREMIEREFeatures post-film discussion with author Mitchell S. Jackson as part of the Portland Book Festival’s Cover to Cover series

While locked up for six years in federal prison, artist Jesse Krimes secretly creates monumental works of art—including an astonishing 40-foot mural made with prison bed sheets, hair gel, and newspaper. He smuggles out each panel piece-by-piece with the help of fellow artists, only seeing the mural in totality upon coming home. As Jesse’s work captures the art world’s attention, he struggles to adjust to life outside, living with the threat that any misstep will trigger a life sentence.

Jesse Krimes is a past fellow of the Art For Justice Fund

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