In Dialogue: Race and Gender in the work of Robert Colescott

In Dialogue is an occasional series of interdisciplinary, discussion-based sessions that explore art on view at the Museum in relation to works in the humanities, social sciences, and sciences. In Spring 2020, we will take inspiration from ​Art and Race Matters: The Career of Robert Colescott ​to consider timely and key exhibition themes that explore the dynamics between race and gender, as well as the function of satire within the work.

Join multidisciplinary artist and dialogue facilitator, Sharyll Burroughs for a thought-provoking discussion around race and gender in Colescott’s work. Sharyll Burroughs is a multidisciplinary artist and dialogue facilitator who utilizes art, Buddhism, and the practice of self-inquiry, to question and deconstruct identity beyond racial, cultural, or societal definitions, an unorthodox approach which cultivates dialogues embodying our common humanity. She attended the Santa Monica College of Design, Art, and Architecture, a school founded by MacArthur Genius Fellow, Joan Abrahamson. Her work has been featured in solo and group exhibitions in Los Angeles, California and in Portland, Oregon.

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Accessibility

The Portland Art Museum is pleased to offer accommodations to ensure that our programs are accessible and inclusive. All spaces for this program are accessible by wheelchair. Assistive listening devices are also available for lectures. All restrooms have accessible stalls but no power doors. There are single-stall all-gender bathrooms available. Please ask staff for directions.

We will do our best to accommodate your needs when you arrive, however, we need 2-3 weeks advance notice for some specific requests. Please email requests to access@pam.org, or call 503-226-2811.

Robert Colescott, Knowledge of the Past is the Key to the Future: Upside Down Jesus and the Politics of Survival, 1987.
Robert Colescott (American, 1925-2009), Knowledge of the Past is the Key to the Future: Upside Down Jesus and the Politics of Survival, 1987, acrylic on canvas, Museum purchase: Robert Hale Ellis Jr. Fund for the Blanche Eloise Day Ellis and Robert Hale Ellis Memorial Collection, © 1987 Robert Colescott.