Multiple Journeys: The Life and Work of Gómez-Peña
PLEASE NOTE: COVID-19 vaccine cards and/or a negative COVID test result are required for admissions into this program. COVID tests can be either PCR or rapid antigen and must be taken within a 72 hour window prior to the start of the performance. Masks are highly encouraged.
A ritual performative lecture involving an epic performance poem/chronology and utilizes literature as a means to recapture memory.
Multiple Journeys: the life and work of Gómez-Peña is a performance lecture that invokes text and historical photographs to chronicle the performance art practice of post-Mexican writer, artist and activist Guillermo Gómez-Peña. By tracing his family life as well as his past 35 years in performance, visual and literary forms, the artist discusses his work in context to the larger evolution of the field as well as to the main political and social events of the times.
For the past 15 years, with the archival assistance of Emma Tramposch and other colleagues, Gómez-Peña artist has been going through the process of cataloging his extensive personal collection of original photographs, slides, videos, audio-art, books and ephemera documenting his interdisciplinary arts practice. In the process they have come across unique historical materials that lend perfectly to this form of artistic and educational presentation. In keeping with the hybrid spirit of his work, he has translated his archives into this one-hour performative audio-visual lecture.
Guillermo Gómez-Peña is a performance artist, writer, activist, radical pedagogue and artistic director of the performance troupe La Pocha Nostra. Born in Mexico City, he moved to the US in 1978, and since 1995, his two homes have been San Francisco and Mexico City. His performance work and 21 books have contributed to the debates on cultural, generational, and gender diversity, border culture and North-South relations.
His art work has been presented at over one thousand venues across the US, Canada, Latin America, Europe, Russia, South Africa and Australia. A MacArthur Fellow, USA Artists Fellow, and a Bessie, Guggenheim, and American Book Award winner, he is a regular contributor to newspapers and magazines in the US, Mexico, and Europe and a contributing editor to The Drama Review (NYU-MIT), the Performance Art Week Journal of the Venice Biennale, and emisférica, the publication of the Hemispheric Institute of Performance and Politics (NYU). Gómez-Peña is currently a Patron for the London-based Live Art Development Agency, and a Senior Fellow in the Hemispheric Institute of Performance and Politics.
Presented in conjunction with Frida Kahlo, Diego Rivera, and Mexican Modernism from the Jacques and Natasha Gelman Collection.
The Portland Art Museum is pleased to offer accommodations to ensure that our programs are accessible and inclusive. All spaces for this program are accessible by wheelchair. Assistive listening devices are also available for lectures. All restrooms have accessible stalls but no power doors. There are single-stall all-gender bathrooms available. Please ask staff for directions.
We will do our best to accommodate your needs when you arrive, however, we need 2-3 weeks advance notice for some specific requests. Please email requests to firstname.lastname@example.org, or call 503-226-2811.