The Artist as Activist
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The Artist as Activist is a panel discussion highlighting the intersection between art practice and activism for Mesh artists, Ka’ila Farrell-Smith, Lehuauakea, Leah Rose Kolakowski, and muralist Lynnette Haozous. Moderated by Anishinaabe curator, artist and educator, Wanda Nanibush, this discussion will consider the roles that art and artists take within current movements for political and social justice, and the ways in which these movements have inspired change within the landscape of contemporary art.
Ka’ila Farrell-Smith (b. 1982) is a Klamath Modoc artist who works and lives in Modoc Point, Oregon. In addition to degrees from Pacific Northwest College of Art and Portland State University, her work is informed by work with Wasco fiber artist weaver Pat Courtney Gold and a mentorship with Coquille/Coos carver Shirod Younker. Farrell-Smith is a 2021 Hallie Ford Fellow with the Ford Family Foundation, a curator, and certified Wilderness First Responder.
Lynnette Haozous (b. 1985) is based in Albuquerque, New Mexico. She is Chiricahua Apache and a member of the San Carlos Apache Tribe, with Diné and Taos Pueblo heritage. In addition to a conventional studio arts education, she has worked closely with Diné mentor Nanibah Chacon to hone her mural painting skills. Haozous received a degree in social work, which informs her use of art as a tool for teaching and advocacy.
Lehuauakea (b. 1996) is a māhū mixed-Kanaka Maoli (Native Hawaiian) interdisciplinary artist from Pāpaʻikou on Moku O Keawe, the Big Island of Hawaiʻi, who lives in Seattle, Washington. The artist earned a BFA from the Pacific Northwest College of Art in painting with a minor in Art + Ecology. Their mentor Wesley Sen is a deep influence on their work with kapa; mixed media artist Brenda Mallory, a citizen of the Cherokee Nation, was a guide for their recent interdisciplinary practice.
Leah Rose Kolakowski (b. 1989) is a member of the Keweenaw Bay Ojibwa Tribe, living in Santa Fe, New Mexico. She received a BFA from the Pennsylvania College of Art and Design with a concentration in darkroom photography, alternative processes, and in-camera experimental techniques, and recently apprenticed with Chemehuevi photographer Cara Romero.
Wanda Nanibush is an Anishinaabe curator, artist and educator based in Toronto, Ontario. She is the Curator of Indigenous Art at the Art Gallery of Ontario and the author of the book Violence No More: The Rise of Indigenous Women.
This program is supported in part by Native Arts & Cultures Foundation and the Museum’s Native American Art Council.
The Portland Art Museum is pleased to offer accommodations to ensure that our programs are accessible and inclusive. All spaces for this program are accessible by wheelchair. Assistive listening devices are also available for lectures. All restrooms have accessible stalls but no power doors. There are single-stall all-gender bathrooms available. Please ask staff for directions.
We will do our best to accommodate your needs when you arrive, however, we need 2-3 weeks advance notice for some specific requests. Please email requests to firstname.lastname@example.org, or call 503-226-2811.