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Daily Art Moment: Diane Jacobs

A landscape-oriented work of a flat map of the world rendered in brown human hair on a cream-colored wool felt ground. The map is upside down so Antarctica is across the top, North and South America are at right, Australia is at left and Africa is in the center. The land masses are rendered in brown hues of human hair giving them a fuzzy, textured appearance. Viewing the map upside down makes it appear to be an abstract work of scattered large and small irregular shapes. Suspended in front of the map is a small, clear acrylic ball through which the continent of Africa can be seen, right side up.

Diane Jacobs is drawn to wool, hair, and paper pulp materials in much of her work. For Jacobs, hair is a material that incorporates our humanity woven into the material’s very history and genetics. It is also a material filled with social taboos and is inherently visceral, coming from one’s own body. In Global Inversion, Jacobs creates a large-scale flat map of the world in which the ocean is represented by wool and land is represented by human hair. A world literally upside down turns right-side-up when viewed through the suspended acrylic ball.

Many of Jacobs’s works speak to contemporary social issues and inequities. In the presence of Global Inversion, one wonders if the overturned world is the alternative perspective as Jacobs suggests: “The inequity between nations and individuals based on their position in life is insurmountable unless we make a radical shift. I am talking about flipping the world upside down and leveling the playing field. People of privilege must give up their position. For that to happen, we need to look in the mirror and instigate radical change.”

Grace Kook-Anderson, The Arlene and Harold Schnitzer Curator of Northwest Art

A landscape-oriented work of a flat map of the world rendered in brown human hair on a cream-colored wool felt ground. The map is upside down so Antarctica is across the top, North and South America are at right, Australia is at left and Africa is in the center. The land masses are rendered in brown hues of human hair giving them a fuzzy, textured appearance. Viewing the map upside down makes it appear to be an abstract work of scattered large and small irregular shapes. Suspended in front of the map is a small, clear acrylic ball through which the continent of Africa can be seen, right side up.

Diane Jacobs (American and Jewish, born 1966), Global Inversion, 2008. Wool felt, human hair, and acrylic ball. Museum Purchase: Funds provided by The Arlene and Harold Schnitzer Endowment for Northwest Art, 2018.69.1 © Diane Jacobs

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